洛杉矶作业代写Assignment:诗歌的解释
ASSIGNMENT代写

洛杉矶作业代写Assignment:诗歌的解释

2017-03-15 00:33

对诗歌的解释是在对特定诗歌的历史表现的考虑上分开的,认为“文本”而不是出版物是文本的最高方式。正如麦甘,后者的问题在于它不能研究诗歌的历史意义的时候。在通用技术和天才,评论家,观察“文本”往往没有考虑到读者的重要性,观众和出版的条件,以及如何有重要影响的诗歌是如何,以及它是如何构建的,都是由诗人和读者。同一个文本不同的出版物之间的表象差异突显出不同设备的锚固可以改变我们对诗的感知,它可以影响的方式,实际上是把诗本身。我引用的例子,1902版的文本没有客观的,“文学”的材料目前。书中还有额外的广告。这最终改变了诗歌的意义,并改变了读者和作者之间的动态的一个给定的文本。另外,1975版包含扩展注释,旨在破译和详细的结构段落的文本。从那本书中可以看出,丁尼生在1975被视为不同于在1902。他的头部蚀刻帧1975工作,洛杉矶作业代写Assignment:诗歌的解释而在1902没有这样的锚地是存在的。批评性的介绍也有力地确立了丁尼生作为他的读者中的“伟大”诗人。最终,这改变了方式,诗与社会环境相联系,并最终揭示了诗歌是如何产生的,出售和阅读时间受限环境的产物。

洛杉矶作业代写Assignment:诗歌的解释

Interpretations of poetry are split between a regard for the historical presentation of specific poems, and the view that a “text” rather than a publication is the highest way to regard a text. As highlighted by McGann, the problem with the latter is that it fails to contextualise the historical significance of the poetry at the time. In looking at universal techniques and genius, the critic that observes the “text” often fails to take into account the importance of the readership, the audience and the conditions of publication, and of how this has an important effect on how the poem is regarded, and how it is constructed, both by poet and reader. The presentational discrepancies between different publications of an identical text highlights how the anchorage of different devices can alter our perception of the poem, which can affect the way in which the poem is actually regarded in itself. Using the examples I have cited, the 1902 edition of the text has no objective, “literary” material present. There is also additional advertising in the book. This, ultimately, changes the significance of the poem, and alters the dynamic between the reader and the writer of a given text. Alternatively, the 1975 edition contains extended notes designed to decipher and detail the structural passages of the text. It is evident from that book that Tennyson is regarded differently in 1975 than in 1902. An etching of his head frames the 1975 work, whereas in 1902 no such anchorage is existent. The critical introduction also serves to firmly establish Tennyson as a “great” poet among his readers. Ultimately, this changes the ways in which the poem interrelates with its social environment, and ultimately sheds light upon how a given poem is produced, sold and read in the temporally confined environment from which the product emerged.